Mega Blowout Sale

“'The Scene Club was red hot, the hottest little club in London and in 1963 London was the centre of the world - even if the rest of the world didn't know it quite yet.' Norman Jopling (Record Mirror).
The club in Ham Yard, off Great Windmill Street, in Soho, central London had previously been a jazz club, but by 1963 it had become a revered mod venue, playing soul, R&B, blues, ska and rock'n'roll records to a sharply dressed crowd. This new compilation collects some of the classic tracks played...

“The final entry in this three-volume series of Tokyo teen bands from 1966 to 1969 is no less potent than its predecessors."-All Music Guide

“Under the influence of The Beatles, the Group Sounds movement swept Japan in the mid-1960s. This compilation -- out of print for well over 20 years -- collects some of the finest cuts made by several of the leading bands of the time, and makes its long-awaited CD debut here, together with background notes. Artists include: Outcast, The Spiders, The Mops...

“Following up the acclaimed SOHO CONTINENTAL, here is a collection of coffee bar sounds from 50s and 60s London, the soundtrack to the birth of rock'n'roll, Gaggia machines, capuccinos, jukeboxes blasting out UK born sounds for boys in leather and beehived girls. Long lost 45s on classic labels like Top Rank and Oriole, with tales of ton-up boys causing chaos (Carve Up, Ambush, Teenage Delinquent) to more sedate tales of going 'Hot Chocolate Crazy'”

“Soho Expresso, capture's the mood of the...

Thirty early, cross-over soul hits from great masters both known and forgotten. This is a tremendous bargain.
1. The Isley Brothers - Shout (Part 1)
2. Ray Charles - What'd I Say (Part 1)
3. Jackie Wilson - That's Why (I Love You So)...

This is a fabulous compilation of country blues and country swing, from 1936-1944, presented to highlight how this music blended with other American music and influenced and partially led to rock 'n' roll.
If you dig this sort of thing, this is 70' of historic and fabulous sounds!
1. If You Can't Take Five Take Two
Milton Brown & His Musical Brownies
2. Sugar
Cliff Bruner
3. Rackin' It Back
Texas Wanderers
4. Daddy's Got the Deep Elm Blues
Jimmie Revard...

This is a collection of interpretations of songs by various Italian artists of works by Stormy Six.
There is almost no information about this album on the web and what little there is is in Italian. I did a translation and it made very little sense, but *apparently*, this record came out years after it was actually initially planned for some reason and may have even been planned before the group reformed!
Anyway, if you know and love the Stormy's, then this 14-track album is well worth hearing..

“At last, a second collection of rare singles from the label that produced the cream of the mid-sixties crop of Canadian garage, punk, and psychedelic music! The Gaiety roster was rich in talent (the 49th Parallel, Jarvis Street Review, and Souls of Inspyration, not to mention the Checkerlads, White Knights, Dewline, Tomorrow's Keepsake, NRG, Merriday Park, and Portland Street South)—but it was not rich in resources, which is why these singles are so incredibly rare. This second Gaiety Records volume...

“Released in the autumn of 1970, this obscure movie concerns the impact of teenage drug abuse on a suburban family. Its cult soundtrack features superb pop from Glass Bottle and edgy rock from cult Boston band Bead Game (including future Steely Dan drummer Jim Hodder), as well as trippy incidental music from leading arranger Don Sebesky. It makes its CD debut here, complete with background notes.”

"Chicago was awash in independent record labels during the late 50's and early 60's, all hoping to challenge Chess and Vee-Jay. Profile Records landed a national hit with Junior Wells' Little By Little . The label debuted in 1958 with pop crooner...

The early 1980s seemingly weren't a great time for creative music. Punk had come, swept away all the old (both good and bad - they didn't care!) and had mostly self-destructed by then, leaving the generally less interesting 'new wave' and all its subsets, all of which seemed to be made to get people to dress up 'creatively' and go out, snort cocaine and dance ('punk disco', my wife called it then). While there *were* a few exciting signs if you knew where to look for it, for the most part the collision...

“Great 1960's garage groups-great compilation of all live recordings (!), featuring the Mad Hatters, The Sting Rays, the Apollos, and the Briks doing an absolute panoply of covers of famous songs by the Rolling Stones, the Beach Boys, the Beatles, and others.
Not an original in sight! So if 1960’s covers of 1960’s songs is your thing, this disc is for you! Out of print CD with small drill hole.”

“By the time 1966 ended, many of the groups in Texas that started out playing British Invasion and folk-rock music, were now immersing themselves in the newly emerging psychedelic music. The five groups that comprise this album reflect the changes that occurred during this period and four of them even changed their names to sound more psychedelic. The Nomads became Smoke, Carrols Mood became The Sights And Sounds, The New Imperials became The Front Page News, and The Boys became The Remaining Few....

“Released in March 1967, this cult movie concerns the efforts of a competitive racing driver to overcome blackouts at the wheel. Its rare soundtrack blends outrageous fuzz guitar workouts with ballads and incidental music to highly entertaining effect, and makes its CD debut here, complete with background notes.”

“Concluding this landmark series, Upside Down Volume 10 lifts the lid on the late 60s Antipodean music scene where pop dropped a pill and went 'over under sideways down under!' Upside Down bids farewell with a handsome selection of flower-power wonders, lovingly restored to their former, formidable glory.
Remastered original recorded artefacts with a 20-page, full-colour booklet including background liners and archival photos from the period.”

“The ferocious heat on Tihama, the Red sea coastal plain of Yemen, is matched in its intensity by the tibbal music, an Afro-Arabian amalgam that features lyres, reeds and, particularly, virtuoso drumming. Its practitioners are largely drawn from the akhdam, an outcast group with a reputation for sorcery, who bring passion, skill and stamina to performances which accompany acrobatic dancing and ceremonial trance. This exciting CD captures the traditional music of this region which has retained an edge of...

“New England in the 60’s series release. Right and Strafford were two fantastic labels from New England. Their singles are impossibly rare and have been sought after by collector’s for years.
This exciting collection of songs reflects the influence of the British Invasion groupos like the Kinks, the Rolling Stones, and the Yardbirds.
Later releases reflected the influence of American groups like the Young Rascals, the Buckinghams, and the Iron Butterfly. Not to be missed! Out of print CD with..

“Early Sarah is the best Sarah”, said the jazz snob, “and Sarah live in 1952 is some of the best!”

His last album released in his lifetime and some consider it his best!

"It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious...

Unique and good album of music by a group (guitar, sax, percussion) that started their life as a strictly improvised group, but by the time they made this, their only album so far, some structures and melodic materials had also found their way into the sounds.

"This Finnish trio is an interesting combination of jazz, post-rock, and a few poses copped from the entities that are Tangerine Dream and U2. Sneer if you will but this is the stuff well dressed college kids will be wetting themselves over..

Bob Drake: drums, bass, backing vocals, tapes, viola
Susanne Lewis: vocals, guitar, viola, accordion, synths

Venus Handcuffs is an early, pre-Hail project by Bob Drake and Susanne Lewis, both of whom were working in Thinking Plague at the time they were also simultaneously doing this duo work.

"Referred to as "a cross between Throbbing Gristle and Nick Cave" during the band's lifetime, Venus Handcuffs got their start in the ranks of Colorado's most far-reaching band, Thinking...

"Following their much-acclaimed surprise, self-titled debut album Vermont from 2014, Motor City Drum Ensemble's Danilo Plessow and Innervisions's Marcus Worgull reunite for more synth daydreaming on the suitably titled II. The new outing continues where the first full-length left off, strolling further down the luminous and undulating path that the duo turned into, influenced in equal measures by kosmische, krautrock, minimal wave and synth soundtracks. This latest batch of instrumental cuts opens with...

“Vialka was a drum and guitar duo, art project, and non-profit association: 15 years (2002-2017), 1274 concerts, 55 countries, a seemingly permanent world tour. Merci!”

Recorded and 'sculpted' by Bob Drake, this is a really great release by an exuberant duo who fill a lot of musical space with just baritone guitar & voice and drums and voice. If I had to compare it something, it reminds me a bit of a highly talented punk-rock duo playing the songbook of the earlist works by Etron Fou. Marylise was...

Elio Villafranca – piano
Vincent Herring - alto saxophone
Steve Turre – trombone
Gregg August – bass
Lewis Nash – drums
Chembo Corniel - percussion
Nelson Mateo Gonzales - percussion
Julia Loisa-Gutiérrez - dancer

“As a long-time jazz listener, I most enjoy most artists that combine great group interplay, with shifting rhythms and moods (e.g. any Charles Mingus, David Murray's Octet, and Henry Threadgill's Sextett). These days, those preferences are leading me to

“Debut album from Swedish 4 piece VILLEBRAD. Located in Uppsala, city of KAIPA, who consider themselves influenced by the classic era of progressive music alá CRIMSON, as well as the early 80's sound of JAPAN. The result is a fascination embryo that is close to Swedish sounding bands like ANEKDOTEN and LANDBERK. 9 tracks of dramatic progressive songs with vocals in Swedish.”

“Debut release from South London band—dreamy waves of atmospheric electronics and disarmingly charming female vocals are paired with some percussive Krautrock/tribal rhythms plowing through a nest of psychedelic musique concrete synthesizers. Beautifully haunting and strange soundwave drones establish an oscillating electronic world where angels chant eerie harmonic prayers. Sometimes recalls Broadcast, Stereolab—with a touch more darkness in the mix. Wonderfully enchanting and weird.”-Charlie Quaker

A fantastic record ignored.
"Simon! Let's drop the price 60% and make them go away so I don't have to think about all the mistakes I make here and you don't either!"
"OK - good idea!"

Viscera Crash are a quintet of two cellos and two..

Stephen Vitiello - light readings and sound processing
Pauline Oliveros - accordion
David Tronzo - guitar.

"New York-based installationist and sound artist Stephen Vitiello steps out as a composer in his own right, after years of collaborations with artists, musicians and choreographers including Nam June Paik, Scanner, Pauline Oliveros, Tony Oursler and Constance De Jong, Joan Jeanrenaud Frances-Marie Uitti and many others.
Bright and Dusty Things at times recalls the drones of

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs.
In a few...

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs.
In a few....

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs.
In a few...

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs...

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs.
In a few cases.

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs.
This collection

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs.
In a few cases.

“This is an anthology of folk songs produced by Topic Records containing recordings of traditional singers and musicians from England, Ireland, Scotland and Wales.
The traditional singers and musicians were celebrities within their own community but the majority were unknown to the world at large until the 1950s and 60s when collectors arrived with portable tape recorders. A few of them recorded enough material for an entire album, [but] most are only known for a couple of songs.
In a few cases.

While this excellent & sadly short-lived, Canterbury-style group have not returned from the dead, this is the next best thing. It features all five tracks from their debut, cassette-only release, newly remixed, (& featuring a cellist in addition to their usual keyboards, guitar, bass & drums), an outtake from the Uncertainty sessions, a live track & a song never recorded until 6/99, when the band regrouped to record it!
While not as uniformly great as their only album released during their lifetime...

"After a break of six years, Chris Cutler, Bob Drake and Lukas Simonis, now with added ingredient Pierre Omer, present the second volume of recordings by the elusive VRIL - a band who revive and update both the great institution of the guitar instrumental and the now sadly neglected practice of collective arrangement, intense rehearsal and live studio performance. Appropriate to the half century that has passed since the birth of the form, these hits dodge about, get bored easily and blend both...

“Taking some time off from Yes, Wakeman recorded this album for Cirque Surreal, a travelling circus show that played in cities around the UK that year. Featuring his touring band, it is a mixture of instrumentals and songs featuring the vocals of Chrissie Hammond.”

“When "Return to the Center of the Earth" first came out, it put Rick back in my mind and I wanted to catch up on some of his music. At that time, I saw on AllMusic that Rick had released hundreds of albums...

"Remastered edition of RICK WAKEMAN’s 2003 live album with the New English Rock Ensemble, “In the Nick of Time”. Featuring a band comprising ASHLEY HOLT (vocals), ANT GLYNNE (Guitars), LEE POMEROY (Bass), TONY FERNANDEZ (Drums) and ERIK JORDAN (Additional Keyboards) ‘In the Nick of Time’ was an excellent live album that saw Rick and his band perform many classic tracks such as ‘No Earthly Connection’, ‘Catherine Parr’, ‘White Rock’ and ‘Wurm’, alongside the title track from the recently recorded album...

“Featuring vocals by Chrissie Hammond, Raymond Remedios and Ashley Holt, the music was composed and recorded by Rick especially for a 1990s relaunch of the 1925 Universal screen version of Phantom Of The Opera. The music on this recording has been re-edited, remixed and, in some cases, re-recorded in order to reflect the musical spectrum that encompassed the 90 minute epic.
Covering everything from operatic rock to tearful ballads, the recording is a film in itself...without the pictures.”

“Originally released in 1999 as a sequel to ‘Journey To The Centre of the Earth’, the album has been out of print and unavailable for many years.
‘Return to the Centre of the Earth’ has been re-issued and comes beautifully packaged as a digi pack CD, both complete with new, original artwork from legendary artist Roger Dean.”

“Recorded in 1975 at the Winterland Theatre, the Majestic Wakeman is captured at his best on this timeless radio broadcast. Taken from the early stages of Wakeman's solo career, this album captures him in his freshest period, at a time when his flamboyant playing style was most respected.
This recording features a great show with tracks from Six Wives, Journey and Myths. Sound quality is superb and The English Rock Ensemble and Rick are in fine form. Included are stunning versions of "Lancelot and...

“Heard in the context of director Brady Corbet's provocative, feature-length debut film, Scott Walker's original score for The Childhood of a Leader is so successful, it's inseparable from the images but adds brutality. (It was deliberately mixed five-percent above the Dolby standard to be intrusive.) The film's narrative is loosely based on a Jean-Paul Sartre short story of the same title published in 1939. Corbet's depiction is of a nine-year-old boy in 1918, forced to live in France while his dad...

How can a release called tape loops be anything less than greatness?

“Chris Walla's Tape Loops rests comfortably in the lofty air beside the best of Eno's ambient classics.”-Paul Borge

“For his first solo recording since departing from Death Cab for Cutie in 2014, producer/multi-instrumentalist Chris Walla created an album of calm, sparse ambient pieces appropriately titled Tape Loops. This might come as a surprise to fans of his former band, or groups that he's worked with such as Tegan..

"Hot on the heels of 2006's "Revolt Music", this release goes even further into free jazz hell!!! Almost 80 minutes of smoldering, burning, raging free jazz featuring a cast of legendary east coast musicians including Sun Ra Arkestra leader Marshall Allen! Firestorm is an intense and musically assaultive release of killer, balls-out free jazz that will appeal to those who long for the most bombasic works of Broetzmann, Ayler, Takayanagi and Cecil Taylor! This release reveals many shades of intensity and...

"Dinah Washington was one of the greatest jazz singers of all time and this compilation is a snapshot of her at the peak of her powers in the mid fifties period of rendition between blues and jazz. It is a fantastic introduction to the artists work....

"This is a splendid example of the young Dinah Washington. It's recorded live at Birdland on the Symphony Sid radio program. The sound is excellent for what it is, the band (Wynton Kelly, Percy Heath, Art Blakey, Jimmy Cobb, Ed Shaughnessy, etc) are...

"When dissected carefully, The Pros and Cons of Hitch Hiking becomes a fascinating conceptual voyage into the workings of the human psyche. As an abstract peering into the intricate functions of the subconscious, Waters' first solo album involves...

“Norma Christine Waterson is an English musician, best known as one of the original members of The Watersons, a celebrated English traditional group. Her eponymously titled solo debut Norma Waterson was produced by John Chelew and released by Hannibal Records in 1996, and was well received in the scene (including a nomination for the Mercury Music Prize), featuring collaborations with her daughter, Eliza Carthy, Martin Carthy and other members of The Watersons, as well as Danny Thompson (Pentangle)...